![]() ![]() ![]() In a pre-performance talk, Little said that the opera combined all of his musical interests, as a musician who is both a classical composer and a drummer. In a vivid waking nightmare, the man relives the guilt of this act, tormented in a cycle of bizarre images and scenes. The man, at the end of a night of drinking and heroin use, shot and killed a woman he loved (something that actually happened to Burroughs). It follows a man we are told is a writer: he wears a suit and has a typewriter. Spoiler alert: the story does not make a whole lot of sense, told as it is in a sort of hallucinatory loop of flashbacks and dream vistas. The goal of Anne Waldman’s verbose libretto here is to evoke the worlds of more recent horror writers, including Antonin Artaud’s theater of cruelty, David Lynch’s Twin Peaks (which gave Little the opera’s title), and the drug-addled tales of William S. Gothic horror stories have long provided operatic thrills, from Weber’s Der Freischütz and Wagner’s Flying Dutchman to Britten’s The Turn of the Screw and Birtwistle’s The Minotaur. ![]() Created first in 2021 as a film, this new production featured live performers accompanying a screening of the film under dramatic lighting. Little’s Black Lodge, a new opera given its world premiere at the Philadelphia Film Center. In the evening was the second and final performance of David T. Photo: Steven Pisanoįestival O22, a fortnight of performances and film screenings presented by Opera Philadelphia, came to a close Sunday. Little’s Black Lodge at Opera Philadelphia. Timur performs with accompanying video in the live world premiere of David T. ![]()
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